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For the first time in 120 years, an extraordinary group of Claude Monet’s Impressionist paintings of London are being reunited in the major exhibition��The Griffin Catalyst Exhibition: Monet and London. Views of the Thames, opening on��27 September 2024.

★★★★★ “This will never happen again – don’t miss it” –
★★★★★ “Monet knocks your socks off” –
★★★★★ “Radical, important and very beautiful.” –

These ravishing works have never been the subject of a UK exhibition. Begun during three visits to the capital between 1899 and 1901, the paintings depict Charing Cross Bridge, Waterloo Bridge, and the Houses of Parliament. The series was first unveiled in Paris in 1904 to great critical acclaim. Monet fervently wanted to show it in London the following year but the project fell through. The �鶹��Ƶ Gallery has now realised Monet’s unfulfilled ambition of exhibiting this distinct group of works in London, just 300 metres from the Savoy Hotel where many of them were painted.

Claude Monet (1840-1926) is world renowned as the leading figure of French Impressionism, a movement that changed the course of modern art. Less known is the fact that some of his most remarkable paintings were made not in France but in London. They depict views of the Thames, capturing the river and its surrounding architecture as they had never been seen before, full of evocative atmosphere, mysterious light, and radiant colour. Monet came to London in the wintertime, fascinated by the effects of the London fog, a phenomenon produced by the city’s heavy industrialisation in the 19^th century. In London, the fog took on a particular density and a variety of hues that occurred nowhere else. Monet’s paintings are undoubtedly amongst the most significant representations of the Thames ever made and embody the complexity of his practice, 40 years after his debut, as he pushed the Impressionist approach to the extreme.

Monet started the paintings during his three long stays in London in 1899, 1900 and 1901 and finished them in his studio in Giverny, north of Paris. While he eventually painted almost 100 views of the Thames, his most ambitious project to date, the exhibition focuses on the smaller group of 37 paintings that were presented at the unveiling of the series in 1904. Monet completed these works as a unit specifically for their public display and he considered them the finest representatives of his artistic project. They constituted, in his eyes, the true ‘Thames series’. After the show, the paintings were dispersed, purchased by collectors in France and abroad. The exhibition The Griffin Catalyst Exhibition: Monet and London. Views of the Thames will feature 21 paintings, 18 of which were in the 1904 unveiling, in an unprecedented effort to recreate the display that Monet himself put together and the experience he wanted his audience to have seeing these extraordinary works.